Marc Feustal: Can you describe how you go about constructing your images? The process seems quite elaborate.

CE: For Equivalence, I built a frame and photographed it. Back in Seattle I made fifteen large prints altogether measuring 4.5 meters wide and over 3.5 meters high. The prints had to be skewed digitally to account for the fact that the frame was not parallel to the film plane. I returned to eastern Washington and placed the prints back onto the same frame. In the final photograph you wouldn’t know by looking at it that the prints were ever skewed be­ cause the camera, replaced to its original location, skews them again back into ‘correct’ perspective. The piece is titled after the series of clouds by Alfred Stieglitz, in which he suggests that his images of clouds can represent inner states and emotions. My version asserts that photographs are not objective and can only ever tell partial truths, and beauty and emotion are constructs of the mind. For me this doesn’t lessen photography, beauty or emotion but makes them all the more interesting.